Working with cold wax and oil paint is challenging me daily. As someone who likes getting stuff completed in a timely fashion, oil paint demands that I play by its “slow down” rules. When I put paint to board, layer upon layer, I have to wait for stuff to dry and patience has never been my strong suit. Until recently I’d had no experience with this medium and it sucked me in just like hot wax (encaustic). Damn (and thank you to) those bees! This piece was started in early March. The birch panel was first covered with gesso and then a layer of Venetian plaster was laid down. The size alone was intimidating – it’s the biggest board I’ve used to date (18 x 28 inches). Using colors generally not in my color palette made me uncomfortable but I wanted to push myself. Subsequently, I was overwhelmed and put it aside for a month.
In April it went back on the easel and I attacked the surface with more paint, cold wax and lots of scraping and scratching. I kinda thought it was done, but wasn’t crazy about the result, so back in the closet it went.
Upon my return the East Coast (and the 11th International Encaustic Convention) I felt renewed and wanted to see what I could now do to this large panel. More layers and mark-making, a new color-way and finally a sense where this work is headed. And, while not done yet, the end is near (or so I think).
Another work that I thought was “done” and it wasn’t . . .
Thought it was done again but wait . . .
Now I think so.