Is it done yet?

IMG_1765Working with cold wax and oil paint is challenging me daily. As someone who likes getting stuff completed in a timely fashion, oil paint demands that I play by its “slow down” rules. When I put paint to board, layer upon layer, I have to wait for stuff to dry and patience has never been my strong suit. Until recently I’d had no experience with this medium and it sucked me in just like hot wax (encaustic). Damn (and thank you to) those bees! This piece was started in early March. The birch panel was first covered with gesso and then a layer of Venetian plaster was laid down. The size alone was intimidating – it’s the biggest board I’ve used to date (18 x 28 inches). Using colors generally not in my color palette made me uncomfortable but I wanted to push myself. Subsequently, I was overwhelmed and put it aside for a month.

In April it went back on the easel and I attacked the surface with more paint, cold wax and lots of scraping and scratching. I kinda thought it was done, but wasn’t crazy about the result, so back in the closet it went.IMG_1782

Upon my return the East Coast (and the 11th International Encaustic Convention) I felt renewed and wanted to see what I could now do to this large panel. More layers and mark-making, a new color-way and finally a sense where this work is headed. And, while not done yet, the end is near (or so I think).IMG_2652

Another work that I thought was “done” and it wasn’t . . . IMG_1785

Thought it was done again but wait . . . IMG_1973

Now I think so.IMG_2645

 

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Captivated by beeswax!

fullsizeoutput_31d6Saturday, February 25 from 12-2 pm, I’ll be demonstrating how to use cold wax and oil paints (on both paper and board) at Artist and Craftsman Supply in North Portland – 2906 N. Lombard Street. Drop by, check out the store (it is artists’ heaven) and learn about this way-cool medium. Additionally, I’ll be answering questions about the 2017 Portland Open Studios Tour – the Call to Artists is open now with an entry the deadline of March 3rd.

fullsizeoutput_3214Beeswax! It’s amazing. When combined with Demar resin and heated you end up with encaustic medium, which is used hot. When encaustic medium is combined with Gamsolheated and then cooled you end up with cold wax medium, a paste-like substance which is used cold.

fullsizeoutput_2983Until recently, I focused on creating encaustic artworks, having taken several excellent classes from Portland artist Linda Robertson. I love utilizing iPhone photos, pan pastels and colored encaustic oil pigments, using a heat gun and pancake griddle to heat things up. After spending two days working with the talented artist and teacher, Serena Bartonlearning about cold wax, oil paint, Venetian plaster and more, I am totally smitten with this method of using beeswax.

fullsizeoutput_308fThis encaustic piece combines three iPhone photos (the clouds, the house/field and the crow). All three images are inkjet printed on archival card stock and collaged the cradled birch panel with PVA glue. Warm encaustic medium (both clear and tinted) is applied via a natural bristle brush and then heated with an embossing gun between layers, pan pastels and encaustic pigments are used as embellishments. Again, every time something is laid onto the surface, heat is used to melt the layer into the one below. Having the chance to use my photographs, create imaginary landscapes AND the added bonus of warm beeswax scenting my studio is divine! These pieces do require a certain amount of planning and preparation – what layers go down first, what photos need to be cut, what paper should I print on? How much more wax should be added? My graphic design background comes in quite handy.

lake1Encaustic medium cools so fast – brushing hot wax from one side of a board to the other – it’s cool. Working with cold wax is TOTALLY different and I’m in uncharted territory. Never having used oil paints before (yes, they are used in a diluted form in encaustic), I was unprepared for the ‘drying’ time issue.

fullsizeoutput_313dfullsizeoutput_326ffullsizeoutput_31e2Layers of cold wax and oil paint (mixed at a 50/50 ratio) can take several days to dry, especially in our rather damp Oregon climate. These three abstract works are all painted on cradled birch panels with a base layer of acrylic gesso and a thin coat of Venetian plaster.

Needless-to-say, they are QUITE different from the encaustic medium works! Layering and scraping away, incising the paint with various tools – bamboo skewers, Starbucks® cardboard jackets, forks, paper-towels, a palette knife – whatever I can grab that makes a mark. Even with the element of waiting for stuff to dry, the process is very spontaneous. Inspired by “true life” images and then creating abstract compositions with depth and movement is both challenging and rewarding and so much fun!

A BIG SHOUT OUT to the bees for making such a wonderful product that, whether used hot or cold, allows me not only to expand my knowledge but also adds to the joy of my continuing artistic practice!

Trying to wash away the dust…

“Art washes away from the soul the dust of everyday life.” Pablo Picassofullsizeoutput_3138Today everything is HARD. Focusing on tasks that need to be completed–HARD. Anticipating tasks that need to be started–HARD. Tearing myself away from daily news about our nation’s upended political climate–EXTREMELY HARD. fullsizeoutput_3129Right now all that’s keeping me somewhat sane is making art. It isn’t required to be good, it doesn’t need to be finished – it just needs to be made. fullsizeoutput_313bEmbracing a new medium – cold wax and oil paint – has been a lifesaver. When I’m immersed in the process  “the dust of everyday life” settles and all that matters is the board, the paint, the palette knife, the color, the lines, the smell…the silence of the studio. I can breathe–anger and fear are momentarily replaced with happiness and wonder. fullsizeoutput_313d It’s only temporary, but it’s enough – a brief pause to recharge my soul before I’m once again covered and ready to deal with life’s dust. img_1583Engaging in my life-long practice of embroidery, by creating original samplers is soothing and joyful as well.